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person1924-2013

Arthur Danto

Disciplines:
aesthetics
philosophy of art
philosophy/philosophy of history

Summary

American philosopher who developed the artworld theory — art is defined by its relationship to an institutional artworld — prompted by Andy Warhol's Brillo Box, and announced the end of art's historical narrative.

Core Contribution

The Artworld (1964): something becomes art by being placed in relation to an artworld — a theoretical atmosphere of art knowledge. The Transfiguration of the Commonplace: art is about something (has content) and embodies its meaning in a material vehicle. After the End of Art (1997): art's historical narrative (each movement superseding the last) is over; all styles are now available simultaneously.

Key Spikes & Highlights

  • Warhol's Brillo Boxes were not aesthetically superior to commercial Brillo boxes but were art — which meant aesthetic properties were irrelevant to the definition of art, forcing a turn to institutional theory.
  • Announced the end of art — not art's death but the end of its progress narrative — at the moment postmodernism made all historical styles simultaneously available.
  • Combined analytic philosophy with Hegelian philosophy of history, an unusual pairing that gave his work a scope most analytic aestheticians lacked.

Notable Works & Achievements

The Transfiguration of the Commonplace

After the End of Art

The Abuse of Beauty

Connections to the World

Historical Influences

G.W.F. Hegel Marcel Duchamp W. V. O. Quine

Intellectual Lineage

Analytic Philosophy Neo-HegelianismAmerican Pragmatism

Contemporaries & Peers

Monroe Beardsley Nelson Goodman George Dickie

Minds Influenced

George Dickie Noël Carroll Terry Diffey

Intellectual Posterity

Artworld TheoryInstitutional Theory of ArtEnd of Art Thesis

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