Cuban-American painter and physicist whose large-scale paintings combine poetic imagery with philosophical inquiry — he holds a PhD in applied physics from Cornell and an MFA — and whose work explores memory, loss, and meaning at the intersection of art and science.
Represents the rare combination of rigorous scientific training and major artistic achievement — his paintings (The October Cycle, The November Room) carry the weight of genuine philosophical inquiry into loss and meaning — demonstrating that the scientist and the artist can inhabit the same psyche.
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