Harold Pinter was a British playwright whose theater — 'The Birthday Party', 'The Homecoming', 'Betrayal' — invented 'Pinteresque' as a word for menacing understatement, and whose screenplays adapted major English novels into landmark films.
Pinter's screenplay for 'The Go-Between' (1971) preserved Hartley's retrospective structure while adding a cinematic fragmentation of time — the future intrudes on the past through flash-forwards — that directly influenced Nolan's temporal editing.
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