American composer who wrote 4'33'' (a piece of 'silence'), Music of Changes (composed using I Ching), and a vast body of work exploring chance operations, indeterminacy, and the dissolution of the boundary between art and life — the most influential figure in 20th century experimental music.
Used the I Ching as a compositional method — Music of Changes's structure was determined entirely by I Ching hexagram consultation — demonstrating that chance operations could produce complex, unified musical structures, and that the ego's compositional will is not the only source of meaningful form.
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