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film2000

Memento

Disciplines:
memoir/noir
film/independent film
psychological thriller

Summary

A 2000 film by Christopher Nolan told in reverse chronological order about a man with no short-term memory hunting his wife's killer.

Core Contribution

Made reverse chronology the literal enactment of its protagonist's disability, so that the audience shares his inability to form new memories — a structural conceit widely regarded as one of cinema's most ingenious narrative innovations.

Key Spikes & Highlights

  • Reverse chronology as epistemological trap (watching events backward makes the audience complicit in the protagonist's self-deception)
  • Tattooed memory (physical notes on the body as a noir motif literalizing the idea that identity is a story we tell ourselves)
  • Black-and-white forward / color backward (the film uses two film stocks to encode its dual temporal streams)

Historical Influences

Raymond Chandler Billy Wilder Jorge Luis Borges

Intellectual Lineage

Film noir Postmodern fiction Neo-noir

Allied Works

Double Indemnity Out of the Past The Usual Suspects

Contemporaries & Peers

Following Being John MalkovichMulholland Drive

Minds Influenced

IrreversibleGone Girl

Intellectual Posterity

Reverse-chronology narrative technique in mainstream cinema

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Memento

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