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person1980s-present

Noël Carroll

Disciplines:
aesthetics
philosophy of art
philosophy of action/philosophy of film

Summary

American philosopher who is the most prolific contributor to analytic aesthetics — with work on the philosophy of film, horror, mass art, narrative, and art theory.

Core Contribution

The Philosophy of Horror: art-horror is an emotion directed at impure, category-crossing monsters — analyzed through the cognitive theory of emotions. A Philosophy of Mass Art: mass art is not aesthetically inferior — it satisfies genuine human needs. The Moving Image: an ontology of film. Critique of many-faceted approaches to art definition.

Key Spikes & Highlights

  • The cognitive theory of art-horror: the monster must be perceived as both threatening and impure (violating categorical boundaries — the undead are neither living nor dead) — which is why we both want to look and want to look away.
  • Carroll has a combative style unusual in aesthetics — he has explicitly criticized virtually every other position in philosophy of film, horror, narrative, and art theory, and his work has driven a generation of responses.

Notable Works & Achievements

The Philosophy of Horror

Mystifying Movies

A Philosophy of Mass Art

The Moving Image

Historical Influences

Stanley Cavell George Dickie

Intellectual Lineage

Analytic Aesthetics

Contemporaries & Peers

Kendall Walton Gregory Currie

Minds Influenced

Analytic Aesthetics

Intellectual Posterity

Philosophy of HorrorPhilosophy of Film

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Noël Carroll

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