Irish playwright and novelist who stripped language and theater down to their minimum — creating a new mode of dramatic expression focused on waiting, endurance, and the inability to be.
Waiting for Godot: two men wait for someone who never comes — the quintessential absurdist drama, the play about nothing happening. Endgame: further compression — characters can't leave, can't stay, endure. The Trilogy (Molloy, Malone Dies, The Unnamable): prose in relentless disintegration, the narrator unable to stop or conclude. Won Nobel Prize in Literature (1969).
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