Arthur Danto's philosophical theory of art arguing that artworks are distinguished from mere real things by being about something and embodying their meaning in a material vehicle — transfiguring commonplace objects into art.
Artworks are representations with a rhetoric: they are about something (have semantic content) and the way they are made embodies that content; what makes Warhol's Brillo Box art while commercial Brillo boxes are not is relational and institutional, not perceptual.
No conceptual lineage found.
No recorded contemporaries.
No recorded minds influenced.
No conceptual posterity found.
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