German-Jewish philosopher and cultural critic — associated with the Frankfurt School — author of The Work of Art in the Age of Mechanical Reproduction and The Arcades Project — who died at the Spanish border fleeing the Nazis — whose fragmentary, aphoristic style influenced postwar critical theory.
Creates the analysis of art's aura in the age of mechanical reproduction — Benjamin's argument (that mechanical reproduction destroys the unique 'aura' of an artwork by making copies without original, and that this changes art's political function) is the foundational document of media studies and cultural studies.
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